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CHIHARU SHIOTA, I to EYE

2024-09-14 – 2024-12-01

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Information about the Exhibition

DatesSeptember 14 – December 1, 2024
Closed on Mondays. Closed on September 17, September 24, October 15, November 5.
*Opened on September 16, September 23, October 14, November 4.
Opening hours10:00 – 17:00 (last entry 16:30)
VenueNakanoshima Museum of Art, Osaka 5F Galleries
OrganizersNakanosima Museum of Art, Osaka, Mainichi Broadcasting System, The Asahi Shimbun
SponsorshipDAIKIN INDUSTRIES, LTD., DNP(Dai Nippon Printing), TAKENAKA CORPORATION, HAMANAKA, RIHGA ROYAL HOTEL
Admission feeAdults 2000 yen (advance sales/Weekday Ticket/groups 1800 yen)
University / High school students 1500 yen (advance sales/groups 1300 yen)
Junior high school/Elementary students: Free admission
Member privileges (free admission, discounts) are available for this exhibition

* Advance ticket sales: July 13 – September 13 (23:59)
*Weekday ticket is valid for only one visit by one guest on weekdays during the exhibition period.
* The museum may close without notice in the event of disasters or other circumstances beyond our control.
* Prices include tax. Group prices are for groups of at least 20 visitors.
* Persons holding an official Disability Certificate are admitted for half the price of a same-day ticket (including one attendant). Apply at the ticket counter (2F) on the day. (No advance reservation required.)
* Certification of eligibility for special rates must be presented before admission for all except regular adult rates.
* For this exhibition, regular adult rates apply to Osaka residents aged 65 or older.

Ticket sale locations
Nakanoshima Museum of Art, Osaka ticket site, online ticketing (e-tix), Lawson Ticket (L code: 55400), Ticket PIA(P code: 686-994), eplus, 7ticket(7 code: 106-440), CN Playguide, rakuten ticket
InquiriesOsaka City General Call Center
06-4301-7285
Hours: 8:00 – 21:00 (365 days)
List of WorksPDF

Highlights

1. Large installations, including new works and pieces never before shown in Japan Installations using thread have become the hallmark of Chiharu Shiota’s practice. Five or six of these installations will be shown at the exhibition venue, which spans about 1700 square meters and has a six-meter-high ceiling

2. Chiharu Shiota’s first large solo exhibition in her birthplace of Osaka in sixteen years Chiharu Shiota presents exhibitions at venues around the world. Eagerly anticipated, this show is her first large-scale solo exhibition in her birthplace of Osaka since 2008, sixteen years ago.

3. Texts from the public will be incorporated into an installation The organizers are currently collecting written texts about “connections,” a key theme of the exhibition, from the general public with the objective of showing them in CHIHARU SHIOTA, I to EYE. The artist will use them in an installation as part of the show.

Works

  • Chiharu ShiotaCirculating Memories2022Photo Sunhi Mang ©JASPAR, Tokyo, 2024 and Chiharu Shiota

  • Chiharu ShiotaHome to Home2022 Photo Sunhi Mang ©JASPAR, Tokyo, 2024 and Chiharu Shiota

  • Chiharu ShiotaThe Eye of the Storm2022 Photo courtesy Bangkok Art Biennale ©JASPAR, Tokyo, 2024 and Chiharu Shiota)

Drawings for Yoko Tawada’s Praktikantin
2023 – 2024年 ©JASPAR, Tokyo, 2024 and Chiharu Shiota

Chiharu Shiota is illustrating each episode of The Trainee (Praktikantin), a novel by Yoko Tawada that has been serialized in the Yomiuri Shimbun newspaper since November 25, 2023. This show exhibits original paintings of these illustrations. With the number of original paintings exhibited gradually increasing due to the fact that the novel is still being serialized, there will eventually be a total of 361 paintings.

The artist

Chiharu Shiota
Berlin, 2023
Photo by Sunhi Mang

Chiharu Shiota was born in Osaka Prefecture in 1972 and is currently based in Berlin. Her awards include the Minister of Education, Culture, Sports, Science and Technology’s Art Encouragement Prize for New Artists in 2008 and the 61st Mainichi Art Award in 2020. She was chosen to represent Japan at the 56th Venice Biennale in 2015. In 2019, the artist held her largest solo exhibition to date, The Soul Trembles, at Mori Art Museum. In addition to participating in international group exhibitions, Shiota has held solo exhibitions at venues throughout the world, including the Espoo Museum of Modern Art (2021), the Museum of New Zealand Te Papa Tongarewa (2020), the Art Gallery of South Australia(2018), Yorkshire Sculpture Park (2018), the Museum of Art, Kochi (2013), and the National Museum of Art, Osaka (2008).

Specila Tickets

Special booklet and ticket set: 4,000 yen (including tax)
This set includes one 8-page A4-size booklet (only available with these special tickets) that includes a message written by Chiharu Shiota for this booklet and reference photos of works presented in the exhibition with commentary by the exhibition curator, and one exhibition ticket. The booklet can be opened up and used as an A1-size poster.

Ticket sale location
Lawson Ticket
ticket sales: June 7 –

Ticket set with heat-sensitive mug
4,500 yen (including tax)

This set includes one heat-sensitive mug adorned with a drawing by Chiharu Shiota and one exhibition ticket. The mug with this drawing is only available with this ticket set.

Ticket sale location
Lawson Ticket
ticket sales: June 7 –

Ticket set with mesh bag and pouch
5,400 yen (including tax)

This set includes one black mesh bag with pouch modeled after Chiharu Shiota's art and one exhibition ticket. The black mesh bag and pouch are only available with this ticket set.

Ticket sale location
Lawson Ticket
ticket sales: June 7 –

Catalogue

In addition to photos of works presented in this exhibition, including installations, this catalogue contains an essay written by Chiharu Shiota as well as a transcript of a long interview conducted in Berlin. The catalogue traces the course of Shiota's artistic career, "connecting" her existing works with creations yet to come.

Specifications

Codex binding, with cover

Size

A4 portrait variant (225 mm × 297 mm)

Pages

312 pages

Languages

Bilingual text in Japanese and English

Price

3,850 yen including tax (3,500 yen excluding tax)

Date of publication

Scheduled for around the end of October 2024 * Specifications and other details may change. * The catalogue will include photos of completed installations, so sales at the exhibition venue are planned for around the end of October, with shipping planned to begin in early November. * The image is the visual for the poster. * Not available (carried) at general bookstores.

Locations where it will be sold

Chiharu Shiota: I to Eye exhibition shop at the exhibition venue (Sales are expected to begin around October 24.)
"dot to dot today" museum shop on the second floor of the Nakanoshima Museum of Art, Osaka (Sales are expected to begin around October 24.)* The second floor of the museum can be accessed freely.
Website for preordering the official Chiharu Shiota: I to EYE catalogue
https://hpplanning.base.shop/

Goods

  • "Tsunagaru Tawashi" scrubbing brush made by Chiharu Shiota's mother and her friends: 500 yen (including tax)

  • Each of these cute, strawberry-shaped acrylic scrubbing brushes is knitted by hand by Chiharu Shiota's mother and her friends. The brushes are made by reusing yarn that was actually utilized in Shiota's installations. The Japanese name for the scrubbing brush (tawashi), "Tsunagaru Tawashi," is a play on the Japanese name of the exhibition, which could be read literally as "Tsunagaru Watashi" (meaning “Connected I’s”). The fact that each one is slightly different in size is another sign of it being handmade.

  • A heat-sensitive mug that changes color when filled with hot liquid: 2,900 yen (including tax)

  • This mug is adorned with a drawing created by Chiharu Shiota for this exhibition. When filled with hot liquid, the color of the drawing gradually changes from black to red.

  • Eight types of towel handkerchiefs!: 1,100 yen (tax included) each
    * Images are for illustrative purposes only.

  • These towel handkerchiefs are designed with motifs taken from Chiharu Shiota's drawings and embroidery. They have a simple design that is easy to use.
    The towel handkerchiefs come in eight types, so you can choose the ones you like. They also make great souvenirs.

Tie-ups

Four restaurants and bars run by the RIHGA Royal Hotel Osaka are offering collaborative menu items. Present your ticket or ticket stub for this exhibition while the show is still running to receive 10% off at restaurants and bars run by the hotel.

- Restaurant Chambord
Menu item
Caramelized bittersweet apples covered in red threads
with a scent of Tahitian vanilla (les liens)

Concept
The red candy covering the surface represents the red threads in Shiota's art, signifying the connections between people.
This is a fitting dish for autumn, with caramelized bittersweet apple enclosed in a vanilla-scented espuma, and a satisfyingly crunchy candy texture.

Prices
Lunch course: "Déjeuner" 15,180 yen (including tax and service)
Lunch course: "Élégance" 20,240 yen (including tax and service)
Dinner course: "Paysage" 29,095 yen (including tax and service)
Dinner course: "Chambord" 35,420 yen (including tax and service)
Dinner course: "Royal" 50,600 yen (including tax and service)

Period available
September 3 – December 1, 2024 * Closed: Mondays (excluding holidays)

Time available
12:00 – 14:00 / 18:00 – 20:30 (last order)

* One item (dessert) in the lunch or dinner courses is provided as a collaborative menu item.
* Except for the collaborative menu items, courses may change during the tie-up period.

- THE RAY
Menu item
Dish in red × connections
Royal-style Shiranuka ezoshika venison

Concept
This dish interweaves the "red," "threads," "connections," and "life" that are key for Shiota when creating her art.
This cold parmentier dish combines ezoshika venison and Setouchi six grain pork luxuriously simmered in red wine with potatoes.
It is fashioned magnificently into potato and beet paste in a red spiral.
On top, it is decorated with a crane, evoking a connection with peace.

Prices
Lunch course: "Porte" 8602yen (including tax and service)

Period available
September 3 – December 1, 2024

Time available
12:00 – 14:00

* One item (hors d'oeuvre) in the lunch course "Porte" is a collaborative menu item.
* Except for the collaborative menu items, courses may change during the tie-up period.

- Leach Bar
Menu item
Name of cocktail: absence

Concept
This creation has a fruity as well as nutty flavor, combined with liqueur and light, airy whipped cream. With the bitter chocolate powder, this cocktail evokes the image of a white dress emerging from the darkness, a motif in Shiota's art.

Prices
2530yen (including tax and service)

Period available
September 14 – December 1, 2024
* Closed: Tuesdays (excluding holidays)

Time available
Monday – Friday: 16:00 – 24:00 (Last order at 23:30)
Holidays: 14:00 – 24:00 (Last order at 23:30)

- Cellar Bar
Menu item
Name of cocktail: ENISHI

Concept
Inspired by the idea of the bonds of fate that connect us spreading out and overlaying each other into the distance, this cocktail, ENISHI, consists of ingredients associated with the keyword "connection."
It uses Japanese liquor, which was created based on the idea of "connecting" traditional Japanese koji techniques. This is combined with yuzu syrup, which expresses the idea of "connecting" material and "connecting" harmony between people. Its taste, which brings to mind the "mixed juice" that is one of the famous products of Osaka, also makes this smoothie cocktail represent Shiota's connection to her place of origin.
It is also a cocktail that is pleasing to the eye, with the glass set with a red, salty tuile that brings to mind the installations made with threads for which Chiharu Shiota has become synonymous.

Prices
2783yen (including tax and service)

Period available
September 14 – December 1, 2024

Time available
17:00 – 24:00(Last order at 23:30)

Events

Chiharu Shiota Lecture

DateSeptember 14, 14:00 – 15:30
SpeakerChiharu Shiota(artist), Aya Kunii, Masato Hayashino
Venue1F Hall
Capacity200 (Tickets must be purchased in advance, and will be available on a first-come, first-served basis.)
Admission fee2800yen

Gallery talk by Chiharu Shiota + Private viewing premium night

DateSeptember 15, 17:00 – 19:00
Venue5F Galleries
* Visitors are free to view the exhibition until 19:00.
* The ticket also allows unlimited entry to the event within museum hours the same day.
* The exhibition shop will close at 17:00 on this day.
Capacity50 (Tickets must be purchased in advance, and will be available on a first-come, first-served basis.)
Admission fee5000yen

Talk celebrating the completion of the Chiharu Shiota: I to Eye catalogue—The "eye" of the photographer and the "eye" of the designer

We are inviting photographer Keizo Kioku, who shot the installation views in this exhibition catalogue, and the designer Kiyoshi Takami, who designed the exhibition catalogue, publicity materials, and merchandise. The talk deals with photography, design, and the making of the catalogue, and discusses some of the processes involved in creating an exhibition that normally go unexplained.

DateNovember 10, 15:00 – 16:00
GuestsPhotographer Keizo Kioku and designer Kiyoshi Takami
Venue1F Hall
Capacity150
Admission feeFree of charge (a ticket (or ticket stub) to the exhibition is required). Advance reservation not required.

The CHIHARU SHIOTA Cube

For a limited time, 53 works by Chiharu Shiota are available to the public via Midokoro Cube®, a system for viewing art with a cube-type interface. This digital content allows you to freely view Chiharu Shiota's art from different perspectives, divided into four categories—installations and performances, set designs, two- and three-dimensional art, and videos—and organized according to the year and place exhibited.

With the CHIHARU SHIOTA Cube, you can manipulate the cube to track Shiota's artistic career or trace the connections between individual works, getting an overall understanding of the art she has created using a variety of techniques, or focusing on individual works. You can use the system with your smartphone or computer. https://images.dnpartcom.jp/cube/CHIHARUSHIOTA

Written texts

In preparation for the CHIHARU SHIOTA I to EYE exhibition, the organizers are soliciting written texts about connections, a key theme of the exhibition.

Chiharu Shiota The Eye of the Storm
2022 Photo courtesy Bangkok Art Biennale ©JASPAR, Tokyo, 2024 and Chiharu Shiota

We are all connected to people and things around us, and these connections are one of the means by which we are shaped and defined. What are you connected to?

Please think about what you are connected to, and submit your thoughts as written texts. Your submissions will be used in an installation by Chiharu Shiota. Please use the following format.

Format

・A4 size white paper (Type of paper and whiteness do not matter, and you can use lined paper if you want.)
・One sheet, using only the front side
・Text may be in any color.
・Use whatever language you want to.

Submission methods

・Mailing
Chiharu Shiota Exhibition Text Submissions, Nakanoshima Museum of Art, Osaka 4-3-1 Nakanoshima, Kita-ku, Osaka 530-0005

・Drop box
Museum: Chiharu Shiota Exhibition Drop Box, 2nd Floor, Nakanoshima Museum of Art, Osaka
MBS: Chiharu Shiota Exhibition Drop Box, 1st Floor, Mainichi Broadcasting 1st floor Chayamachi Plaza Lobby (17-1 Chayamachi, Kita-ku, Osaka 530-8304)

・Web submission form
Either input your text directly into the form or upload a Microsoft Word or PDF file.
If inputting directly into the form, you cannot specify font size or color.
The organizers will print out your message on A4 paper (1 sheet).

Submission period

up to July 31, 2024 (Wednesday)

Other details

・Age, gender, nationality, and other personal details are not required.
・Names of individuals providing submissions will not be published in publicity or other materials related to the exhibition.
・Submissions are accepted on the basis that they are submitted free of charge.
・You may submit any number of texts.
・Submissions cannot be returned.
・The copyright of submissions is transferred to the organizers at the time of submission.
・Any personal information in your submission may be open to view in the installation.
・The organizers cannot respond to inquiries about your text after submission.